Corney Mims and Domini Quinn SupaStar are Jazzmatix. Corney Mims and Domini Quinn SupaStar embarked on a project which they called Jazzmatix in 1997. They wrote an entire album called “Jazzmatix”. The Jazzmatix – Jazzmatix album is a jazz album Jazzmatix recorded for Death Row Records that was supposed to be released in the year of 1997. However the Jazzmatix never got released.
Here is what happened. Corney Mims and Domini Quinn SupaStar were on the verge of securing a major label record deal when Corney Mims drug addiction caused him to relapse. He was in a cracked out state of mind. This forced Jazzmatix to totally abandoned “everything” including this amazing album. The shame and guilt was overwhelming as it totally derailed the momentum they had amassed.
The Jazzmatix album was 25 years in the making ranging from 1997 to 2022. Jazzmatix now decided to pursue the vision they first set out to accomplish 25 years ago. The crazy dope thing is the recordings still sound just as good and relevant as they did in 1997. Now their album is on all digital platforms. However there are songs from this album that did not appear on their digital album “This is JAZZMATIX” such as Interlude (The Definition) and their song they produced with Brandy called The Message. Those songs appear only on this album and remain in the Death Row vaults due to rights issues.
What U Manifest is a message of positivity reminding us that the energy and spirit in which we project will be reciprocated be it positive or negative. The song is a testament to goodness. This was the first single off the album.
This is Jazzmatix is a beautiful jazz rap song. This is Jazzmatix. Feel the static through your speaker. Jazzmatix takes us to another galaxy with the brehsiveness of Death Row’s production and sound. Feel the spirits. Get with this intellect that direct. The song was recorded in 1997. Brehsive is one word to describe the song.
The Message is a song Corney Mims and Domini Quinn SupaStar produced for Brandy back in 1998 when she was recording her sophomore album “Never Say Never” with Whitney Houston and Monica. The song was never released and remains in the Death Row vaults due to rights issues most likely. You can definitely feel some saucy vibes coming from this song as the song uses some decent quality production and acoustics.
Dutch & Spade – For My Family is one of the lesser known Untertainment Records releases which hardly anyone ever knows about. The album featured underground classics such as If You Want It, Get It Right, and Say What You Want. The album had some futuristic sound production for the time. Lance “Un” Rivera served as executive producer for their debut album. Dutch & Spade had worked with the likes of Ludacris, and both were in the group Major Figgas.
For My Family was the debut album from legendary Philadelphia-based (Philly) production duo Dutch & Spade which was supposed to be released sometime around 2001 on Untertainment Records with distribution from Interscope Records. However that album was never released due to a lack of charting hits. The lack of charting hits led their debut album to be shelved. However they definitely had a lot of hype around them and were on fire somehow.
Also Def Jam had their debut album pulled because it was spinning more than the song Ludacris – Roll Out. To make things worse, Dutch & Spade were involved in a beef with Roc-A-Fella Records and Def Jam. Def Jam had a lot of pull in the music industry and pressured Untertainment Records and Interscope Records into pulling their debut album. Def Jam got a lot of their single pulled such as Say What You Want, Get It Right, If You Want It, and Bout My Business.
As for their debut album, For My Family only exists as a demo CD-r that was never officially released. That album was issued as a promo to radio stations and music critics.
If You Want It was the duo’s first single off their “For My Family” album that never was released. This song is 100% floor-friendly as this song was produced by Rockwilder and DJ Clark Kent.
Def Jam had their first single pulled because it was spinning more than Ludacris. This was around the time their group Major Figgas were on fire. To make things worse, Dutch & Spade were involved in a beef with Roc-A-Fella Records and Def Jam. Despite the sticker on the front of the promo 12” promising the album, For My Family only exists as a demo CD-r that was never officially released.
Dutch said, “Def Jam had our record pulled because it was doing better than Ludacris. I was supposed to be the new Jesus Christ but Def Jam blocked that from happening because my blessings was more blissful than the other nigga… He was just walking on water. I was walking on the ave!!! You tell me who did it better?!? At that time we were on the same level or I might have been better.”
Say What You Want was the duo’s first and second single off their “For My Family” album that never was released. This song is 100% floor-friendly as this song was produced by Rockwilder and DJ Clark Kent.
Def Jam had their first and second single pulled because it was spinning more than Ludacris. This was around the time their group Major Figgas were on fire. To make things worse, Dutch & Spade were involved in a beef with Roc-A-Fella Records and Def Jam.
Don’t nobody be flippin those flows like Dutchie do. There are numerous things these lyrics will make you do. You people can say what you want. But they don’t want it with the Dutchman. Especially all that frivolous beef. All his niggas are ready to come through and put an end to that. Dutch is the the type of nigga that be runnin’ with them hoodie rats. Him and Bumpie J come slidin’ through up in that mini-van down the avenue.
All the chicks grin when the see the twinkers out. Even white chicks hop they ass in the big head. They want it with the Dutchman. All the girls want it with the Dutchman.
Get It Right was an old school hidden gem that was straight fire. The song was produced by DJ Clark Kent. The song featured Ludacris. Def Jam had their single pulled because it was spinning more than Ludacris. This was around the time their group Major Figgas were on fire. To make things worse, Dutch & Spade were involved in a beef with Roc-A-Fella Records and Def Jam.
Knights of Tha Suave Circle Presents Players Clinic is one of the lesser known unreleased Suave House albums which people hardly know about despite being first advertised in the 1995 album Eightball & MJG – On Top Of The World which is where Knights of Tha Suave Circle Presents Players Clinic was first advertised. CEO Tony Draper called that compilation album “Tha Shit You Can’t Front On!”.
Billboard reported in the magazine on the date of January 18, 1997 that the Knights Of The Suave Circle compilation was due and scheduled to be released in April 1997 with features Eightball & MJG, NOLA, Tela, Thorough, The Feds, and Mista Mike.
[The “Knights Of The Suave Circle” compilation is due in April from Houston-based Suave House Records and features Eightball & MJG and Mista Mike.]
The exact reason(s) as to why the Knights of Tha Suave Circle Presents Players Clinic album never came out are unknown. Only Tony Draper and Relativity (Sony) would be able to give out any answers and to give away details regarding the album. One could speculate the popularity of Eightball & MJG along with Tela led the album to be shelved and remain unreleased.
Another reason is that Knights of Tha Suave Circle Presents Players Clinic could have been reshuffled and revamped into what is known as the Suave House The Album Of The Year album. In other words, Knights of Tha Suave Circle Presents Players Clinic was probably turned into Suave House The Album Of The Year. That is what could have happened.
Timing was also another issue as Knights of Tha Suave Circle Presents Players Clinic was scheduled to be released right around the same time Crime Boss – Conflicts & Confusion was scheduled to be released. The popularity and moderate success of Crime Boss – Conflicts & Confusion led Knights of Tha Suave Circle Presents Players Clinic to be pushed back and eventually shelved.
The C-Lo – Pinhead album is an unreleased album from Fort Worth rapper C-Lo that was supposed to be his second album. Not many people know this but the Pinhead – Pinhead album that was supposed to be released by Youngsta Records in 1996 never got released. This was because the label’s focus was mainly focused on P.K.O. as the San Antonio based rap group had been gaining an underground buzz in the music scene. This led his second album to be shelved.
DJ Snake and DJ AK were the producers of the album while Magic Mark Outing served as the executive producer as he was on all Youngsta releases. The album had DJ Snake’s sound all over it due to his production. C-Lo had been perfecting his craft during the recording process. C-Lo had changed his name to Pinhead during that time. His lyrics were getting more wicked and definitely more gangsta. Pinhead sounds a lot like Ice Cube throughout the album. Also during this time, he was in P.K.O. in the 1990s.
The C-Lo – Pinhead album was first advertised in the Coming Soon section of the 1994 P.K.O. album Tha Good, Tha Bad, Tha Mafia and the album DJ Snake & DJ AK – Till Bass Do Us Part. Him and Mike E.D. were supposed to have solo albums released on Youngsta Records sometime in the 1990s. His second album was also advertised in the 1995 compilation album Poets & Gangstas. His second album was advertised in many of Youngsta Records releases.
One In Tha Chamber explained how C-Lo keeps bullets in the chamber of his gun for them fools who jack, steal and kill. One In Tha Chamber is about being gangsta and guns! DJ Snake produced the hard ass bass and beats on a G-Funk soundscape which is impressive as always.
There will be no witness left to see how C-Lo fucks shit up. Because the criminal never sleeps. C-Lo stays strapped with a scope on for them fools that try to jack, steal, and kill. C-Lo reintroduced to himself to audiences as Pinhead. C-Lo had changed his name to Pinhead at the time.
All In is a smooth fast song by Pinhead aka C-Lo that was used on the 1995 compilation album Poets & Gangstas. DJ Snake produced the hard ass bass and beats on a G-Funk soundscape. You will love the drums and bass used on this track. Pinhead sounds a lot like Ice Cube throughout the song. Do or die is the mission. So don’t ask why, fool.
C-Lo talks about how he is a straight brotha that is living his life on the edge. He was misled in 1994. So he played the cards that were dealt to him. He feels the ghetto is trying to kill him. Everywhere he looks, he sees somebody get killed as lives are getting taken. Pinhead tries to find another way to earn a living. But he stays strapped with a scope on for them fools that try to jack and kill. And he’s ready to retaliate on anyone willing to test their faith. Pinhead is all in. Do or die is the situation.
King 13 – Time Served was one of the hardest freestyle rap albums from San Antonio with songs such as Naked Soul, Thru Da Mist, and Tamica. King 13 was the freestyle king of San Antonio before Lil Ken, Liveola, Kyle Lee, Lady Lyric, SCG, Lil Yodaa, and Mark G. Nobody could fade King 13 as he was unfadable with his raps. Honestly King 13 should have had albums out by now.
Ricé produced a bulk of the album while 17 Freeze produced a tiny portion. Rice produced King 13’s album with 17 Freeze from 1997 to 2000. Sean, 17 Freeze, and Rice still have the ADATs.
The first time the King 13 – Time Served album was advertised was in the 1999 compilation Down and Dirty Click – Only Gangsta under release info for future projects. Right around the same time Down and Dirty Click – Only Gangsta was released. His album was also advertised in the Source magazine and Vibe. King 13 – Time Served was originally supposed to be released in August 1999.
The King 13 – Time Served album was supposed to be released by Commerce Street Records and distributed by Southwest Wholesale. Commerce Street Records was supposed to release King 13 – Time Served, Lil Short – Lil Short, and Midnight Drama. Ricé produced those albums. However the Time Served album was never released. King 13 – Time Served was an album from Commerce Street Records that never was but could have been a hit. There are several reasons why this album was never released and remains unreleased.
The Time Served album was never completed as there were only 17 songs that were recorded. Possibly more. King 13 was very difficult to work with and was hard to get him in the studio. All because he didn’t like beats from local producers. King 13 didn’t want to use local beats. So Sean Tompkins would write “Mike B” or “Bido” on the DATs in order to get King 13 on a song or record. The only one that could convince King 13 to get in anybody’s studio was Lil Sin. The only reason King 13 was on anybody’s song was only because Lil Sin would ask him to.
Also King 13 could never agree with anyone’s contract. In fact King 13 didn’t agree with Sean’s contract. He was very smart only as he would work for hire only. He would never just agree to be signed to anyone’s record label. That’s why it’s getting his music from anyone. That explains why his Time Served album never came out.
That explains why his Time Served album never came out.
Here is how the King 13 – Time Served came to fruition and how King 13 got his debut album recorded.
Commerce Street Records was one of the hottest labels in San Antonio, Texas at the time next to Big Ballin, Youngsta, Sonar, and BLVD Records. King 13 was convinced Commerce Street Records would be a good label to sell his album to. King 13 only wanted to sell a project which was King 13 – Time Served to Sean Tompkins of Commerce Street Records in 1997 as a one-off deal and not a long term full-fledged record deal. Sean was good and never came short. He always gave what was asked of him before 2000 despite some illegal activities that were going on. However King 13 caught on to the shady business going with Commerce Street Records around October 2000 and refused to work with Sean Tompkins.
The album cover for the Time Served album was designed at Pen N Pixel by Shawn Braunch. A plethora of pyramids were used in the background. Gold vinyl can be seen below.
Thru Da Mist deals with how people can be unsympathetic to another person’s pain, sorrow. and agony. This is one of King 13’s songs produced by Ricé which is all too real for the mainstream crowd to handle. Ricé did a spectacular job on making the synths, bass, and beats have that dark eerie sound.
Nobody can see through the mist of pain, sorrow, and agony of another person. Just keep your faith and pray for strength. You’ll maintain. No one can see through the mist of the darkness.
King 13’s Naked Soul takes us through the views of a gangsta. King 13 laces the mic with such fiery and aggression in his lyrics. This is not surprising since this is gangsta rap. Every song King 13 raps on is fire! That is a fact. His presence is huge for this song.
Naked Soul is a fierce piano laced rap song. The piano is what keeps the mood mellow sort of in a strange way. The feeling is both mellow and intense sort of in a strange way. Notice the piano solo played by 17 Freeze at the beginning of Naked Soul. 17 Freeze and Ricé give the song a sense of mellowness and tranquility with their production and sound they create.
The song takes us through the views of a gangsta. King 13 laces the mic with such fiery and aggression in his lyrics. This is not surprising since this is gangsta rap. Every song King 13 raps on is fire! That is a fact. His presence is huge for this song.
The song Midnight Drama is about all the drama that goes on during midnight. A lot of crime happens at midnight. King 13 tells us listeners, “You better not get caught up in midnight drama.” Those are his cautionary words which tell us to stay away from the drama that happens during midnight.
When drama starts at midnight, you better be prepared for things to unfold and expect the unexpected. Be prepared to ride. The drama starts at midnight.
Several niggaz are the cold shooting dice. 2 of these niggaz took the life of one of their homeboys by killing him. They blamed that wickedness on liquor. Gun shots rang out from the parking lot. 4 niggaz got ganked. There were 49 bullet holes. There were 6 bullet holes found on the spine of a man. His relatives got the call that he would no longer be coming home.
Drug slanging and pimping is what goes at midnight. One man thought he could find narcotics but he ended up dead in a closed casket. One of these niggaz was fucking his wife. His friends go out to settle the score and end up getting killed.
When darkness falls, you better be prepared. You better not get caught up in midnight drama.
Midnight Drama uses a combination of freestyle rap and gangsta rap. That makes sense because King 13 was known for his freestyle raps. Midnight Drama is an intense piano laced rap song performed by King 13 himself. He wrote the lyrics to this song himself. Not many know this but King 13 was the freestyle of San Antonio pre-2002.
Ricé produced the song and played the piano. Notice during the beginning that a nice mellow piano solo is playing. The piano solo lasts for 12 seconds until 0:12. Quadruple layers of instrumentation start to kick in at the 0:13 mark.
This King 13 song would be included on the 1999 compilation album called Midnight Drama. Now the Midnight Drama compilation was inspired by this King 13 song which is where the title for the Midnight Drama album came from. The Midnight Drama compilation was first advertised on the 1999 album Mr. Joshay – 21 Crunk St and was released in March 1999. The Midnight Drama compilation was sold at Commerce Street Records when it was located on East Commerce Street and when Commerce Street Records had their store in Windsor Park Mall.
Gi.nu.wine is the unreleased Swing Mob album that was supposed to be released on DeVante Swing’s Swing Mob imprint label. Ginuwine lays down his smooth silky vocals on R&B ballads of love on many of the songs. The early Bassment/Swing Mob sound can be heard on this album. Only an extremely limited amount of promotional copies of this album were ever pressed. Probably around 25-50 copies. No more than that. Gi.Nu.Wine was known as the Untitled Bassment Album or the Untitled Album.
Come On In has a G-Funk meets soul vibe. The song has DeVante’s work written all over it. DeVante Swing used the vocoder in the background. DeVante Swing and Darryl Pearson produced this for/with Ginuwine. Part of the chorus contains an interpolation of the Keith Sweat song Right and Wrong Way. Come On In is a Ginuwine song from Da Bassment era. You can feel an Usher type vibe when you listen to Come On In.
Ginuwine lays his smooth sultry vocals on the intimate romantic song Soaking Wet. His soulful vocals make Soaking Wet brash and beautiful. DeVante produced this cut. Soaking Wet is a perfect song for the bedroom during a romantic evening. Perfect for a rendezvous.
I’m Going To Fall In Love is a soul music meets G-Funk song. I’m Going To Fall In Love is a perfect song for you lover during a rendezvous. Ginuwine uses his soulful voice to accompany the harmony and hook.
Rock was a soul song that was produced by the genius underrated producer Darryl Pearson. DeVante Swing produced and harmonized the hooks on the song I Want You. He was responsible for the hooks. We can hear DeVante’s work all over this track.
Storm from the rap group Outlawz came fierce and lyrical on her solo album Nobody’s Daughter. Her album has that raw and uncut hardcore rap sound. She displays her skills in rhyming and lyrics. She kills every solo track she raps on. Neva B, Pain, and All Bullshit Aside are some of the highlights.
Storm from the rap group Outlawz was supposed to have a solo album be released under Makaveli Records and distributed by Death Row Records in 1996 after 2Pac planned to return from Las Vegas. However this did not happen because 2Pac was assassinated in Las Vegas. So her album was shelved. If 2Pac had survived the shooting during that trip to Las Vegas, then Storm’s solo album under Makaveli Records/Death Row Records would have been released.
However she kept recording songs for her solo album up until the middle of 1998 when she decided to leave Outlawz and Death Row. So some songs on this album were recorded in 1998.
Now Storm has a zero tolerance policy on bullshit or fakeness. That is why she decided to leave the music industry after 2Pac died. What Storm needed for her solo album to have been a success is the right tracks and the right business team behind her.
[I stopped because, after Pac died, the music stopped for me. It’s like I went deaf! I was literally soul-broken. I started to see things that I didn’t like and weren’t part of my character. I started to experience the things that Pac had basically blocked me from and put himself in front of so I didn’t have to deal with it and I could just concentrate on music. Don’t get me wrong, I wasn’t naive. I’ve been through a lot of shit, but it was just nice to have someone there that I know without a doubt that had my back and that I could just do music.
But, when he was no longer that shield, I saw the faces of disloyalty, greed, deceit, lies, so called homies/family showing their true evil ways. I found out, the hard way, that you have no friends in this business, only opportunist! I felt, right after Pac died, that if I kept dealing with these kind of people, I would most likely have snapped, and ended up in somebody’s prison! Because I have very little, if any, patience for bullshit or fakeness. I didn’t trust anybody after Pac because he was too genuine, loyal, and respectful to me for me to accept anything less from anybody else. I started to carry a pistol everywhere I went. I became so reckless and angry after Pac’s death that I hated everybody, sometimes including myself! I felt God had made a huge mistake!]
Storm cannot release the songs from her 1996 solo album due to red tape. These songs she recorded for her solo album were for Death Row Records/Suge Knight Publishing and did not belong to her.
According to a news article from 2PacLegacy.net, Storm has solo work from her solo album that is owned by other businesses and publishing entities. Red tape (label politics and publishing rights) have prevented her from releasing those songs. However she has not decided yet on what to do with her recordings.
“I have solo work that are lost in other’s hands from the past (red tape), and I have new material that I have control over. I haven’t decided what I want 2 do with them, but, yes, I’m always creating…”
“Yes, there are still unreleased songs of myself and Pac and myself and the Original Outlawz stuck in red ego tape somewhere.”
Neva B is the title of the album that Storm came up with with Pac’s approval of course. That was going to be the name of her first album which was originally planned to be released under Makaveli Records/Death Row Records.
Neva B was the first song on her album which Storm told her life story in her own unique way. She was inspired by 2Pac while formulating the song. She started thinking how nobody can touch 2Pac or the songs that Pac had written. So she started to name the titles, one by one, and made his titles tell HER story. Neva B was a tribute song for 2Pac. 2Pac taught her well. Storm killed this track.
Neva B is the title track of the album that Storm came up with with Pac’s approval of course. That was going to be the name of her first album that was originally planned to be released under Makaveli Records/Death Row Records.
This is the history behind the song “Neva B” and how the song came to be.
[The first song is her way to tell her own story in her own unique way. The track Neva B was born. How did this come to pass? “The lyrics Neva B woke me up from my sleep at 12:01 am in the morning and I went back to sleep an hour later, with the lyrics, including the chorus (hook) and the melody, finished. I started thinking how nobody can touch Pac or the songs that Pac had written, so I started to name the titles, one by one, and made his titles tell MY story. That’s how I came up with Neva B. I WAS Brenda’s baby, but I was rescued and given life back. That’s why I’m “Nobody’s Daughter.” I literally wasn’t! That was going to be the name of my 1st album, with Pac’s approval, of course.”]
[Neva B was a song I basically gave 2 my fans! It was also a thank u 2 Pac for all the masterful music that he left us, and that was so real and so relatable that I could actually take his titles and talk about my own life. That’s the dominant separation between Artist and Legend that I wanted 2 expose!]
Storm was one a little girl with the same mind quick to holler at a nigga with the same line. She had a .22 gauge to back her up if she were ever to get into any sort of trouble and for suckas on the block that be acting up. Storm heard Brenda had a baby and that’s real nice until Brenda turned crazy and took that life. Now she is struggling to understand because she was Brenda’s little baby breathing again.
You can easily tell just by reading and analyzing her lyrics that she was very much inspired by the writings of 2Pac. You can feel 2Pac’s spirit up in here because she literally rapped titles of each of 2Pac’s songs into her bars.
It’s Just Me Against The World, Run The Streets Alone With These Crooked Ass Niggas I See Death Around The Corner Lord Knows It Ain’t Easy Tradin’ War Stories Point The Finger Open Fire I’m An Outlaw Only God Can Judge Me If My Homies Call Holla At Me Heaven Ain’t Hard 2 Find Got My Mind Made Up Against All Odds
This Ain’t Living Shorty Wanna Be A Thug For Real I Got A Million Dollar Spot Hennessy And Weed Strictly For My Niggas Never Had A Friend Like Me I Stay High Till I Die God Bless The Dead Hail Mary For A Hellrazor Hold Ya Head How Long Will They Morn Me If I Die 2nite I’m Running On E Staring Through My Rearview Light They Say The Good Die Young But What About A Bastard Same Song Thug Style Teardrops And Closed Caskets Letter 2 My Unborn Last Words 2 My Seed
2 My Closest Road Dog Still Heavy In The Game Are You Still Down? Down… Down… Are You Still Down, Down For Me, Yeah
Listen… A Penny For Your Thoughts, Please You Can Be A Millionaire But There’ll Neva B No One Quite Like You You’re So Rare… Rare
First It Was All About You Now All Eyes On Me So Imma Bomb First Fuck The World They Can’t See Me Guess Who’s Back The Rebel Of The Underground With A Thug Passion Something Wicked 2 Live And Die In L.A. When We Ride The Streets Is Death Row So Many Tears No More Pain For Lost Souls Dear Mama You Were Just Like Daddy But I Ain’t Mad At Ya Cause Ya Never Wanted 2 Have Me Wonder Why They Call You Bitch Cause You Scandalous But I Will Never Call You Bitch Again That’s Blasphemy Temptation Got Me Trapped In This White Man’s World Fair Exchange I’m Taking Back Everything They Owe Don’t Make Enemies With Me Cause Life Is Hell For A Hustla I’m Getting Money Worldwide Upper Cuttin’ These Bustas Fake Ass Bitches Fuck All Ya’ll Cradle 2 The Grave Give My Letter 2 The President Tell Him Make It Better Days
On the wild and crazy song Wild Child, Storm went hard and fierce as she used a strong punch of reality rap. She explained she would give love to a wild dysfunctional child. Tyrone aka Hurt M Badd produced Wild Child.
Wild Child is another 2Pac inspired song Storm recorded in early 1996. Storm and 2Pac were working on ideas for her solo album which 2Pac wanted to include a Run Tha Streetz 2 type of song. Sometimes Storm would just got to the studio alone and work on ideas herself to present to 2Pac later. She wanted Jewell to sing on the song. However Storm sang the hook not for it to be there permanently, but to lay a guideline down on/of how she wanted it sung.
This is what Storm said about the song Wild Child in a post on the 2PacLegacy.net website.
[I haven’t heard this song since I recorded it back in early 1996. Pac was still here. We were working on ideas for my solo project which Pac wanted 2 include a Run Tha Streetz 2 type song. Sometimes I would just go 2 the studio solo and work on ideas myself 2 present 2 him later. I sang the hook, not for it 2 be there permanently, but 2 lay a guideline down of how I wanted it sung by maybe Je’well or Keyshia. I am pretty sure that Tyrone (aka Hurt M Badd) produced the track. Pac couldn’t do a video for the original Run Tha Streetz on All Eyez due 2 record label politics so he was adamant about us doing a 2nd version for my album because he said that the Fans really wanted it.]
The unreleased track was leaked online to the internet by Bomb1st.com in July 2016. It has been speculated that the record was intended for Storm’s debut album, Neva B, on mentor 2Pac’s new record label, Makaveli Records.
Storm used to see him quietly in the background while all the other homiez put their mack down. She was trying to show him affection but he didn’t even get it because his heart’s so lonely in the game. He can’t understand who’s really real and who’s with him for the fame. She’ll be there for moments when he’s under pressure. She’ll never judge him for his mood swings. Trying to predict the moment brings. He played the game for the money, power, and fame.
Whatcha Gonna Do explained how 2Pac and Storm wanted to escape from the limelight in order to escape from all the problems.
2Pac started out dumb as he sprung out of a hood rat. He was always listening to the radio wishing that he could rap. But nothing changed because he was stuck in the game as everyone in the music industry was fucking him. So he developed a scheme and broke off to do his own thing. Niggas ain’t wanna see 2Pac rise. Watch as he cuts these motherfuckers down to size.
Who’s to blame for my mind frames? This poverty does money game. This has got Storm fiendin’ for riches and wanting to kill for a taste of fame. Reoccurring dreams of illest ears and front page magazines. Storm is livin’ life like a thug queen since she is in the Outlawz. But she is having nightmares instead. They call them Outlawz premonitions of premeditated missions. Her living conditions are suspicious so they have her on a hit list.
[Verse 3: Storm] Who’s to blame for my mind frames? This poverty does money game Got me fiendin’ for riches wantin’ to kill for a taste of fame Recurrin’ dreams of illest ears, front page magazines Livin’ life like a thug queen But instead, I’m having nightmares They call ’em Outlaw premonitions of premeditated missions Livin’ conditions suspicious, so they got me on they hit-list Wishin’ that I was slip like a wet bitch But it’s the timin’ nigga And I’ve been waiting for years, I put my grind in nigga I see you smoking, ’cause I got what you wanna flaunt My every calculated move is a nail through your coffin Now what you don’t know is I got 16 point-hollow Thugged out female war shot-caller Now what you gonna do? Where’s yo buster ass crew? When my niggas come for you (When we come for ya)
You can really feel her ‘pain’ in the joint called ‘Pain’. It breaks here for a track. Pain was just a beautiful song about a relationship that everyone can relate to.
Pain. How do you stop the pain? Who’d ever thought things would change so fast? There ain’t no turning back the hands of time Living in a future you lost. Open your eyes too late and you’ll behold the dark stuck in the pain with too far to walk. All alone with your own pain! Now all you got is the pain.
Pain was not a tribute song for 2Pac. The song was recorded for a soundtrack album called the Thug Angel soundtrack. QDIII (Quincy Jones III) interviewed Storm separately for the Thug Angel soundtrack while she was in the studio. Basically QDIII merged her interview into the song Pain. He had already shot the documentary and just wanted to incorporate me into the project somehow. So Storm did a quick audio interview about 2Pac.
[Pain was not a tribute song for Pac. It was a song for a soundtrack album. QDIII interviewed me separately for the Thug Angel soundtrack while I was in the studio and he basically merged my interview in2 the song Pain. We had just got back in contact and he had already shot the Documentary so he just wanted 2 incorporate me in2 the project somehow, so I did a quick audio interview about Pac. He loved my tattoo “Thug Angel” which is on the back cover of the CD and named his project Thug Angel. Pain was just a beautiful song about a relationship that I felt everyone could relate 2.]
Storm went hard and fierce as she used a strong punch of reality rap as she puts all bullshit aside on All Bullshit Aside. The song is undoubtedly straight fire. The song All Bullshit Aside was recorded in 1998, but was leaked by Storm to her YouTube channel in 2017.
The album Boss Bytch – Boss Of All Bosses has that dark Memphis crunk trap sound with beats from MDB, DJ Zirk, and Tommy Wright III. MDB and Tommy Wright III produced a bulk of her entire album. The beats used were way ahead of time. Tommy and MDB orchestrated the dark nihilistic sound for her album. That woman could rap her ass off like nobody’s business. Her verses bumped hard as hell. Her, Lady J, Princess Loko, and La Chat are the best female rappers out of Memphis, Tennessee. She is so fucking dope!
However her album was never finished or released because of the home invasion of Tommy’s in-house studio where a lot of recordings and albums were stolen. But some songs might have been completed such as Boss Of All Bosses, Fate, and The Bytch. As confirmed by Trill Hill Tapes, it turns out that the recording of Boss Bytch – Boss Of All Bosses was never finished along with Insane Wayne – Wiggin’ Out, Black Mob Klan – Comin Up, Suave – Shank & Kill, and Candy Lady – 4 Ever Hate Me.
Boss Bytch – Boss Of All Bosses is of the many lost albums from Street Start Records that Street Start Records but never did. Boss Bytch – Boss Of All Bosses was one of the Street Smart Records releases that were stolen when several masters to the Street Smart Records albums/releases got stolen in a home invasion back in 2001. Most of those Street Smart tapes were trashed or stolen when Tommy’s in-house studio was robbed around that time. A lot of shady shit in Memphis has happened over the years when it comes to music.
Her album was advertised in many Street Smart Records releases under the UNDERGROUND TAPES section over the course of 1997-2001.
Dr. Dre – Poppa’s Got A Brand New Funk is a G-Funk classic laced with the elements of funk, soul, and pop. Any Dr. Dre fan will want to listen to this album. Keep Their Heads Ringing, Blunt Time, Hookers By The Dozen, All Of The Bullshit We Been Thru, and Smoke Enough Bud are some of the highlights of this album.
Dr. Dre – Poppa’s Got A Brand New Funk was one of the many anticipated Death Row Records releases fans were waiting on to be released and anticipating on. Chronic II was supposed to be the sequel to The Chronic album and was supposed be released in 1995. However Dr. Dre – Poppa’s Got A Brand New Funk was never released due to incompletion, sample clearance issue, fights, and label politics among several other issues. But when Dr. Dre left Death Row Records he left behind a lot of masters for songs recorded for the Poppa’s Got A Brand New Funk album.
Dr. Dre kept peoples heads ringing with the G-Funk classic Keep Their Heads Ringing. Nanci Fletcher captivated audiences with her vocals. Dr. Dre has rhymes to keep you enchanted. So get up. Get a move on and get your groove on. I know you’re bobbin’ your head.
Dr. Dre the spectacular goes for your neck. So call him “Blacula” as he drain a nigga’s jugular vein and maintain to leave blood stains. So don’t complain. Just chill and listen to the beats Dr. Dre spills. The mic gets smoked once you hear the beat kick.
Dr. Dre is that nigga that keeps the hoes’ panties wet. Music floats like a flying saucer. With grooves so funky they come with a Speed Stick. So check the flavor that he’s bringin’. The motherfuckin’ D-R-E will keep they motherfuckin’ heads ringin’.
Mad niggas about to feel the full effect of intellect. This rap shit’s his meal ticket and still is to an extent. Dr. Dre brings the terror and pain like Stephen King. He is a black Casanova running niggas over like Christine. He gets plenty of ass. So some call him an ass-tronaut.
Especially when he rocks the spot with the flavor he has. Dr. Dre has rhymes to keep you enchanted. He produces a smokescreen with the funky green to keep your eyes slanted. Keep their heads ringin’!
Dr. Dre is a debonair with flair. He is running shit like the mayor. But he ain’t no politician as there is no competition. He is sending all opposition to see a mortician. Up front and never in the backdrop. Step on stage and get faded just like a flat-top. Your rhyme sounds like you bought ’em at Stop ‘n Go. Dre came to wax you. So just call him Mop & Glo.
The addictive Smoke Enough Bud is a good ass weed song and is a G-Funk cover of Shirley Jones – Do You Get Enough Love. Smoke Enough Bud with Snoop Dogg and Jewell was recorded around the time Chronic II was being produced and engineered. The song was never released due to sample clearance issues. However the song was finally released as a bonus track on the 2009 album Dr. Dre – The Chronic: Re-Lit & From The Vault.
Here is the plot of Smoke Enough Bud. Snoop Dogg is depressed because of his lack of weed. Jewell serenades his depression and offering him her own supply of weed. Which is why you can hear Jewell serenading about Snoop’s depression.
Snoop’s boy Trizzoy ran out of bud. Of course Snoop needs a hit as he ain’t had a hit in about a week. He is trying to put this album together without no weed. Snoop believes he cannot pull off recording an album without the influence of marijuana. Snoop believes he cannot pull this shit off. A nigga straight trippin’, man.
Jewell asks Snoop in a serenading manner, “Do you smoke enough, smoke enough, smoke enough, smoke enough bud? I wanna know. Baby do you smoke enough, smoke enough, smoke enough, smoke enough bud? I gotta know.”
Jewell tells Snoop, “If the answer’s no, you better come see me. Cause I’m always smoking chronic. And I got what you need when you need it. Don’t get high and leave it. Baby anytime you want some bud. You can come and get it from me.”
Jewell is always smoking chronic. She tells Snoop that he can purchase marijuana from her anytime he needs to. She also tells him not to get high and leave it.
Jewell also tells Snoop, “Well, if you don’t something’s wrong with you. Now you can’t come see me. Cause I’m always stocked on chronic. And blazing so much weed. When you need it. Snoop, how you need it? Baby anytime you want some bud. You can come and get it from me.”
When most people think about smoking bud, it’s just a past time hobby. This can be applied to anyone who smokes. But for Snoop, marijuana is compulsory for him to have. And that’s real. Marijuana is something he gots to groove with. He misses marijuana like he used to miss my girl.
I’m gonna have to ask you the questions. Do you smoke enough bud? Do you get enough bud? Because if you don’t you need to.
Jewell asks Snoop several questions by asking him, “Can you tell do you smoke enough bud? Snoop, won’t you tell me? Are you high yet? Did you get enough bud?”
The album Princess Loko – Hoe Never, Gangsta Forever has that dark Memphis trap sound. Tommy Wright III produced her entire album. The beats Tommy used were way ahead of time. Tommy orchestrated the dark nihilistic sound for her album. That woman could rap her ass off like nobody’s business. Her verses bumped hard as hell. Her, Lady J, and La Chat are the best female rappers out of Memphis, Tennessee. She is so fucking dope!
Her album Hoe Never, Gangsta Forever was first mentioned on the intro of Ten Wanted Men – Wanted: Dead Or Alive in 1997. Her album had not been completed
Princess Loko – Hoe Never, Gangsta Forever is of the many lost albums from Street Start Records that Street Start Records but never did. Princess Loko – Hoe Never, Gangsta Forever is one of the many sought after Memphis rap albums many people want. Princess Loko – Hoe Never, Gangsta Forever is one of the Street Smart Records releases that were stolen when several masters to the Street Smart Records albums/releases got stolen in a home invasion back in 2001. Since then, Tommy Wright III has not been able to recover her album along with several other recordings. Today Princess Loko – Hoe Never, Gangsta Forever is considered to be a lost album.
Hoe Never, Gangsta Forever is one of the most explicit and versatile hardcore songs on the album with hardcore explicit lyrics. Princess Loko explains why she will never be a hoe.
Princess Loko’s opposition can refer to her as a hoe all they want, but she knows that such a word could never describe her. Pimpin and playing is her fucking deal. If you call her a hoe, she’s going kill you. She is never making any mistakes and always being a pimp. Leavin’ no witness at the scenery. Always about that fuckin’ cheese.
She is the best in Memphis when comes to rapping. Her technique is untouchable. You’ll love how Princess Loko effortlessly switches between choral chanting and versatile verses.
Gangsta Bitch is one of her most savage songs ever. Loko effortlessly switches between choral chanting and versatile verses on Gangsta Bitch. The crowd cheers to the stadium-sized beat that crumbles beneath her. She doesn’t even really start ‘rapping’ in the non-repetitive sense until close to the 2:00 minute mark. Her technique is untouchable.
Princess Loko will blow away your brain with this .45 in her panty line. Princess Loko’s on a mission to pull a scheme up on a trick. Bullets in her clip. She steps to the door with her weapon. Then she starts to commence the killing.
Now “Blow away your brains with this 45 in my pantyline” is the hardest line for any female to say. What other female rapper has said that? This is probably the hardest verse she ever did rap. It’s so badass. This is an example of 90s gangsta rap at its best.
[Hook] Princess Loko will blow away your brain with this .45 in my panty line Princess Loko’s on a mission to pull a scheme up on a trick Blow away your brain with this four five in my panty line Keep the chrome in my coat Bullets in my clip hoe Got the weapon then I’m stepping At the door to commence the killing bitch Blow away your brain with this four five in my panty line Princess Loko’s on a mission to pull a scheme up on a trick Keep the chrome in my coat Bullets in my clip hoe Blow away your brain with this four five in my panty line
She is showing off with this rap style of hers. Check out this funky flow. She is coming real trill as she has plans to kill. That is what the lyrics “Quick ‘cause I’m sleep with a bitch on my hit list/Chill as I’m coming trill feel this real been a peel/Steel in your ass as I kill with a silent bill” mean.
She forgot you bitches hoeing on that corner blowing. Are you hoes shy? Play for hammer head and you’ll get lead to your death bed. Princess Loko will be forever known as a no good player heart breaker and a nigga taker. How are you gonna splurge when you don’t know what this pimp is about? Back to the streets going of like a nice Swish. But if you tricks miss you´re fucking with a real gangsta bitch.
Watch out ladies! Princess Loko’s on your man. She planing to do a drive-by and a gank move. Princess Loko’s on a mission to pull a scheme up on a trick. Fuck the 5-0. Society don´t give a fuck about her. So she packs a gun. Loko is quick to pull the trigger than any average nigga.
Pimpin livin with this shit and dodging all you sorry bitches. Loko lays low with her nigga Lil Tino. She is all about that cash. Making cheese and laying low. She has got no time for none of you hoes. Come and get your wig split. You don´t want none of this.
Still Pimpin is her most well known song around the world to date. Her technique is untouchable. Her flow is all over the place. Still Pimpin is definitely a Memphis classic. Still Pimpin is the most well known Memphis rap song around the world. The high acousticness stands out. You can tell there is a sense of liveness despite the song being a studio recording.
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